“Let’s Make Ends Meet” is a lost 2-song EP by The Tee Holman Sextet – a group that only existed for a single session, comprised of some of the best local jazz talent NYC had to offer, recorded in a community-based studio, in a single afternoon in the early 70s.

Limited to 300 stamped, #’d copies in a 7″ pocket sleeve silk screened by Keegan Mills Cooke

In the early 1980s, famed jazz saxophonist and musical luminary Yusef Lateef traveled to Nigeria as a Senior Research Fellow to study, write, and teach at Ahmadu Bello University. He cut this record while there; pressed locally in Nigeria, it remained virtually unknown by jazz fans and collectors for over 30 years.

On Hikima, Lateef leads a nonet of African musicians in six compositions that fuse his deep blues and jazz roots with native Nigerian instruments, drums and chants. The sounds stretch from meditative and melancholic to urgent and unrelenting. A singular recording impossible to classify or box in.

Licensed through Yusef Lateef’s estate, pressed at RTI in an edition of 1000 (incl 200 limited silk screen jacket copies).

2nd LP by the vital New York City art ensemble. Vinyl press with paste-on insert in various colors.

Limited to 400 copies, Sold Out.

Debut release by the exalted and essential Brooklyn NY art collective. Pressed in collaboration between Good Records and Standing On The Corner (D.U.P.R.I. aka the “Downtown Ukrainian-Puerto Rican Institute”).

Limited to 100 copies. Sold Out.